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Debt and Quandaries

by The Invisible Teal (aka Todd Hoover)

/
1.
Freedom C.E. (free) 05:00
2.
I was so deep inside a dull black dream, I barely heard my bedroom door burst open. They jumped around and bounced me out of bed; two figures grabbed each of my hands and said, "Time to go!" At first, I wrote it off as my alarm to drag my chains into another county ... but then, I saw the two-tailed fox and heard the hedgehog say, "My boy, we've missed you so back in Mobius!" Half a blink, and then I screamed with joy to see the beauty of a floating island. I nearly cried to see the old gold rings, put on my sneakers and was nearly first to 100. Knuckles showed up and we nearly flipped; he smiled and said, "I don't feel too protective." I'm happiest whenever I forget the way echidnas look and act in the kingdom of debt, death, and sciences. But then the robots nearly spoiled our fun -- metallic armadillos, wasps, piranhas. But all we had to do was curl and jump, and with our force, we brought the creatures back to their happiness. Robotnik followed close behind, his sickly smile inside an egg of terror, but there ain't no robot that could beat our love. Laughing and cheering, speeding and singing, "Nothing can hurt me!" But then a beep, and with a jolt, I saw my wrists and heels were back in shackles. The speeding creatures all had disappeared. I wished my shackles would just turn to razors ... but then I heard the hedgehog's voice: "Don't worry! You've still got 100 rings left. You'll always have them in your heart and head, and we can see them through your eyes -- please don't let them tarnish!" Laughing and cheering, speeding and singing, "Nothing can hurt me!" Hear me laughing, cheering, speeding, singing, "Under a bushel? No! I'm gonna let 'em shine." (C) 2018 Made to Make Music
3.
In my sweetest dream, there are a thousand clones of me collapsing amidst a genocide waged without a rhyme or reason. In my sweetest dream, there are a thousand clones of me contorting inside a labor camp, all gassed without a proper hearing. In my sweetest dream, there are a thousand clones of me molesting the ghosts of ancient souls who fled with ample rhyme and reason. In my sweetest dream, heaven is a library and every audition is a primal scream session ... and there I am, BNM'd with a picture of me sobbing without spectacles at the world I've spent a lifetime murdering. (With each rush of endorphins, divine intervention. Some deem it distortion, but I'm at attention ... and it isn't it up to me to design every guardian angel's disguise?) Watching tits to numb the sorrow; eating Ritz like no tomorrow. Watching tits to numb the sorrow; eating Ritz like no tomorrow. (And it isn't it up to me to decide whenever the Word preaches personal pride? And it isn't it up to me to identify any old prophecy as a waiver signed in case of deicide?) 'Twas a damned good year. 'Twas a damned good year. once again, I'm quite the lucky man ... (Great commission: Holding my breath 'til blindness or death. Good luck!) ... but good luck is just one more thing that you can't fuck. (C) 2018 Made to Make Music
4.
Movin' on up, we're movin' on up, we're movin' on up. Movin' on up, we're movin' on up, we're movin' on up, we're movin' on up. Movin' on up, we're movin' on up, we're movin' on up, we're movin' on up. Movin' on up, we're movin' on up, we're movin' on up. I don't know where ... but I really hope you're there. Speaking with a mouth of nails. Bobbing like the heads of quail. I can always chase my tail, though it's always at the pace of snails. But no more thoughts of long-lost loves or those choirs made of mourning doves. It's not that I don't dream enough, but I had no idea what I was dreaming of until I caught a glimpse of the sun. Blue eyes turn to friendly knives. Looking past the bags of Chai. Traitor of the coffee high ... but blue eyes, I am satisfied. 'Cause I get such a wicked buzz from staring down at what I was. And yes, the climb was fairly rough, but at the top is all the stuff I'm dreaming of and a view of the sun. Inverted highlights in her hair ... and when she laughs, her nostrils flair. A Midwest nest, and it's not fair! She hugged me hard -- I ceased to care. Boy, I get such a wicked buzz just from staring down at what I was. Yes, the climb was fairly rough, but at the top is all the stuff I'm dreaming of and a very lovely view of the sun. Let your freak flag fly. I said, "Let your freak flag fly, and keep yourself alert, not just alive!" Let your freak flag fly, and keep yourself alert, not just alive! Let your freak flag fly, and keep yourself alert, not just alive! (Let your freak flag fly! Comfort's just a curse that tells you pain won't make you feel it. Let your freak flag fly! Pain is all you need to keep yourself alert, not just alive!) (C) 2018 Made to Make Music
5.
Willy Siegel 04:00
I am beautiful -- indisputably beautiful. I am a brilliant dancer ... no longer a brilliant actor. I am the patron saint of awkwardness, and I don't need a T-shirt to prove it. This face deserves to breathe freely after singing the blues in my trunk and back pocket, in my trunk and back pocket. I just want to be Willy Siegel, seemingly in love with everything ... flip the world off with my dancing, scream my head off when I'm happy. I want to be, I want to be, I just want to be Willy. I am imperfect -- just about as imperfect as it gets. I oftentimes misspell "misspell," and my pen is always running out of ink ... but the idea creek never stops flowing, and my arm doesn't mind a little extra poisoning. It'll happen when I make it happen. IT HAPPENS 'CAUSE I MAKE IT HAPPEN!!!! ALRIGHT, WE GO NOW!!!!! I just want to be Willy Siegel, shamelessly in love with everything ... flip the world off with my dancing, scream my head off when I'm happy. I want to be, I want to be, I just want to be Willy. Forever in the friend zone, I am free ... I am finally the prophecy foretold by a young man's ode to Saul Williams. I am finally a prophecy fulfilled beyond a young man's ode to Travis Morrison. I am me. (C) 2018 Made to Make Music
6.
OMG 04:00
Time to seize ass and kill your master. (Baby, I'm crazy 'bout your ... ) Neon Christmas lights leading me in, my heart soon awoke, then arose and broke into a sprint. Again obsessed, you're truly blessed ... that perfect chest pressed against mine and -- (Oh dear! Oh my! Oh yes ... ) -- nearly barren. (Not much of a trek between angel and demon -- just one decision and you're there. Ho ho ho! Hee hee hee! Ha ha ha!) Five seconds later, I resumed my routine, keeping it shallow and short like a grocery store magazine. Some playful jokes, dumb alky jokes ... but soon the legs of language broke. (And what do you know?) Off we go to the drinks! (Feeling comfy as an erroneous Thelonious, enchanted by little more than clumsy clusters.) I stood in the kitchen with a fair weather friend; turns out reciprocal laughter goes half-decently with gin. Two games of pool, one pair of fools -- I felt so cool and independent! (But don't forget the kinds of meetings you attend: "It works if you work it, and you're worth it." But it doesn't feel that much better just to say "I" instead of "you" ... why can't it be an everlasting "we"?) I lost again, then simply sat there and watched, but my eyes nearly escaped the millisecond I saw you walk toward me like you wanted ... (WHAT!?!? Nuh uh. Really? Me!?) She sat in front of me and started to talk! (March on!) (Fizzle out!) And with all of the grace of an accidental "dislike," the electric child cried at the loss of all but one response: "OH MY GOD!!!!!!!!!!!!!! OH MY GOD!!!!!!!!!!!!! OH MY GOD!!!!!!!!!!!!! OH MY GOD!!!!!!!!!!!!!" My darling, tell yourself what you want, but you know and I know you didn't wear that tonight just for the sake of "expressing yourself." Oh my God, oh my God, oh my God. Oh my God, oh my God, oh my God. Oh my God, oh my God, oh my God. Oh my God, oh my God, oh my God. Oh my God, oh my God, oh my God. (My brain's sole transcription would be the worst kind of friend fiction. Each red flag is just a ribbon for a song that has yet to be written. This fruit is out of stock, this fruit is out of stock now. This fruit is out of stock -- you're welcome.) (C) 2018 Made to Make Music
7.
Wayward, awkward people at a small apartment party: This is all that I expected from a Saturday so long ago. Your hair gel and your glasses made a slightly late arrival, and those fits of manic laughter from your tiny, wiry stature waved a dagger at my loneliness. Pretty soon, there was some coffee and two sets of seven numbers; hourly meals of Daniel Johnston with a side of "Transsiberian." And drunken, we all staggered to your latest fling’s apartment. When you tripped and fell on top of me, and told me that you loved me … what a strange sort of serenity. He’s a surely passage-worthy definition of affection – more legitimate than women, more considerate than God could ever try. There were bold, suggestive movements and outlandish little comments to invite the jealous world into our wayward, awkward kingdom. But I left it for another where I knelt for different reasons, and I knew you wouldn’t follow, so I shunned you as a heathen, our affection as indecent. Pretty soon, that apparition that I blamed for all existence led me miles and miles away into the land of debt and quandaries. You sent a private message just to ask about my journey, and to tell me of another with a different kind of body and no history of arguments. She’s a surely passage-worthy definition of affection – more legitimate than wenches, more considerate than I could ever try. I was civil when I met her … such a quiet smiling creature. But that smile disappeared the night I let desire conquer. Lost within a joking moment, lips in tandem, quick and drunken … and thereafter, no more comments -- just some wayward, awkward banter, and no talk of "Transsiberian." I forgot about the wedding -- what a rich excuse for drinking! Though I know it was forgiven, still don’t feel like it’s forgivable. But now and then, I’ll see you two at wayward, awkward gatherings, and suddenly, I’m hypnotized by old suggestive movements ... not as bold, but still quite beautiful. I’m a surely passage-worthy definition of affection: not degenerate, but smitten with the liberty that comes with knowing why. Knowing why. Knowing why ... oh, why, why, why, why, why? (C) 2018 Made to Make Music
8.
Corpse 04:32
Our love is dead as dead can be, and it has been that way for what feels like an eternity. But now you drag its corpse to me … and don’t you proudly flaunt that rigor mortis like your latest favorite position? Oh, the time it must have taken to complete the excavation of a desperate little doggy blankly panting for a petting hand ... ... but our love is dead as dead can be, and it has been that way for what feels like an eternity. Oh, my frantic cadaver, do us all a favor: Just take your vacant corpse and leave. Well, a shooting star absorbed my will – its big, bright beam so beautiful – and in a daze, I reached in vain to catch it. But instead of keeping fingers warm, it burned a hole right through my palm, and back into the empty sky it blasted! And I gazed astounded as it charted out a wholly random pattern of white and blue and red and blue and red and white and red and white and blue and white and blue and red, blue and red and white and red and white and blue and white and blue and red and blue and red and white, red and white and blue and white and blue and red and blue and red and white and red and white and blue ... (Blinking, blinking, blinking, blinking. Blinking, blinking, blinking, blinking. Blinking, blinking, blinking, blinking. Blinking, blinking, blinking, blinking.) HUH!?!? Wait! I think I fell in love with a plane! Yes, our love is dead as dead can be, and it has been that way for what feels like an eternity. Oh, my ancient disaster, do us all a favor: Just take your filthy corpse and leave. 'Cause I won’t settle for another rigor morning or racy photo torn apart in bitter loathing; oh, and to think I really used to fantasize about you crying while insisting you love me. No, I won’t settle for another rigor morning or racy photo torn apart in bitter loathing; oh, and to think I really used to fantasize about you crying while insisting you love me! Now I’m losing all my patience – the only proper situation is decaying in a coffin, never, ever to be seen again. R.I.P.! R.I.P.! Oh, sorrow! A weaker me would have surely beamed to see your legs still spread wide open ... but now I know, too, that that is not where my heart belongs. (Do us all a favor, do us all a favor and please just leave!) 'Cause our love is dead as dead can be, and it has been that way for so long. So long! You’re just as elegant as murder, so won’t do us all a favor and please take your fucking corpse and leave? (C) 2018 Made to Make Music
9.
Line of Dots 03:02
If I took a breath to let you see there isn’t a whole lot wrong with me, would I disappear like sinking sand? Would you vanish from my master plan? With the longest life comes the faintest sparks. No exclamation points or question marks – just one line of dots and some average bands, a thousand miles from your master plan. Well, children starve and sell their bodies in darkened cars (join hands in dark cars) ... but really, it’s not that hard to adopt every one of their scars. Rearrange that dirge into a decree: “There will be a whole lot wrong with me!” 'Cause a broken man is still a man, and a laureate soldier in the master plan. (Those were some miserable but necessary years.) Well, children starve and sell their bodies for jars of nard, but even the faintest sparks will outshine every one of their scars. This line of dots is proudly ours. (C) 2018 Made to Make Music
10.
As you proclaim your prose in peace, I sit deaf to every word pouring toward this spot of ground where I catch them with my mouth. No utensils in my hands, and just the faintest wraiths of plans: To absorb, perhaps internalize that smile. It isn’t too hard. When I wake up to check the time, nostrils flaring as I sigh, turn my face from left to right, then I open up my eyes … after months, I’m still surprised. When I clutch my pillow tight, hear it sigh and, seconds later, there’s that smile. This isn’t too hard. And every sordid past life dissolved in knowing blue eyes while multitasking on our way to another time ... then every sordid past life expired from a child’s brown eyes while multitasking on our way to another time. As you proclaim your prose in peace, I sit deaf to every word pouring toward this spot of ground where I catch them with my mouth. No utensils in my hands, and just the faintest wraiths of plans: To absorb, perhaps internalize that smile. No need to worry or to hurry – there are no reavers here. May every sordid past life descend like scales from our eyes while multitasking on the way to a better time, and may all impending new lives prevail like crooked doves’ eyes while loving faithfully and learning to fly! Both of your shoulders are shaking? Well, here is some comfort – bangarang! All of your spirit is breaking? Well, here’s a new language – bangarang! If, in the end, the best we can do is raise a hypocrite’s hell with the relatively righteous, we might as well burn with a smile! Both of your shoulders are shaking? Don’t you grieve, ‘cause here is some comfort – bangarang! All of your spirit is breaking? Don’t you grieve, ‘cause here’s a new language – bangarang! But when the mystery dissipates, will you still say I remind you of the ocean? Don’t you grieve, don’t you grieve. Remember when you agreed to adventures, ‘cause danger is the father of flight! Both of your shoulders are shaking? Don’t you grieve, ‘cause here is some comfort – bangarang! All of your spirit is breaking? Don’t you grieve, ‘cause here’s a new language – bangarang! I believe that when I fall, it will be forever, because now I see the world is round. Don’t you grieve! (C) 2018 Made to Make Music
11.
We Vessels 03:26
I say my prayers in silence. I think nothing but good for people in need. And I’m fairly sure you hear them, but you know how it goes: We vessels need to see. I cry for my poor uncles. My heart, it just hurts for holy war. I explain my roommate’s troubles and the path of my sister, which looks a lot like yours. Please show that path to me, ‘cause every night I dream about that castle and her bed, or whatever other pretty face is smiling in my head. Still a sin, ever since I was 15 … but it’s what I want to see. (Hallelujah! Who are you? Who? Who?) Every selfless thing, my friends and family, consumed by every mask that occupies an ages-old routine – is that me? Is that me? I am done – this life is not for me! Won’t you please make my face clean with a love, a love that I can see? Please show that love, why won’t you show it all to me? Oh, Sweetest Sound, when shall I see? (C) 2018 Made to Make Music

about

All songs composed and arranged by Todd Hoover
(C) 2018 Made to Make Music

The sole exception to this compositional rule is "Freedom C.E.," a significantly retooled cover of George Michael's "Freedom '90," originally written by Michael, Simon Law, Beresford Romeo, Carol Wheeler, and Nellie Hooper
(C) 1990 EMI Music Publishing, Warner / Chappell Music, Inc.

"Phoenix, Arizona seems to boast a fair amount of reclusive musical geniuses that create artful albums that may miss popular appeal but become the things other musicians and music critics dream of. Stephen Steinbrink (French Quarter), Owen Evans (ROAR), Tyler Broderick (Diners), come to mind and many more, but recently Todd Hoover (The Invisible Teal) can't be denied in that regard. This is especially true after the release of ... 'Debt and Quandaries.'
There is a hint of the carnivalesque to this album and it makes me think of other one-off, genre-bending, slightly psychedelic efforts like Tally Hall's 'Marvin's Marvelous Mechanical Museum' or The Dukes of Stratosphear's 'Psonic Psunspot' or any number of random albums lining my shelves that get a listen at least once or twice a year no matter how many years I've moved away from their release. Todd Hoover's voice is an acquired taste, but if you enjoy Andy Partridge of XTC or any number of less traditional frontmen, once you acquire it you become fascinated by it and then you just want more of it.
It's not Hoover's vocal talents that make this the masterpiece it is, though -- it's literally the orchestrated architecture of the album and the songs themselves ...
Revisiting this album ... it's easy to hear why 'Debt and Quandaries' was one of my favorite albums of 2018, not just from Phoenix, but from anywhere in the world. Now where's the vinyl pressing for this masterpiece?"

-- Mitchell Hillman, Arizona music critic

credits

released May 1, 2018

The Invisible Teal is (and always has been) Todd Hoover. He is responsible for almost every sound that you hear on this recording, but would not have been able to finish it without a little help from the following friends:

Jalipaz Nelson -- samples on tracks 2, 3, and 10; synth swoops on track 6
Jason Wiedman -- drums on tracks 2, 4, 5, 10, and 11
Katherine Thrailkill -- flute on track 2
Mercedes Murrieta -- violin on track 11
Emily Rotty -- violin on track 11
Tori Reina -- viola on track 11
Cameron Whyte -- cello on track 11

All MIDI instruments programmed and mixed by Hoover between 2012 and 2016 on his laptop
All live instruments recorded and mixed by Nelson between 2017 and 2018 at Audioconfusion in Mesa, Ariz.

Special thanks to Andrew Jemsek for letting me borrow his 12-string electric guitar for track 11 -- I promise that I will return this beautiful instrument to you soon

All vocals for tracks 4 and 6 -- plus some vocals for tracks 1, 8, and 9 -- recorded 2016 in Hoover's cramped bedroom closet
All other vocals recorded by Jalipaz Nelson between 2017 and 2018 at Audioconfusion
Nelson mixed all of the vocals himself -- he is truly The Invisible Teal's "fifth Beatle"

Mastered by Carl Saff 2018 at Carl Saff Mastering in Chicago

Artwork designed by JRC; liner notes haphazardly scribbled by Hoover

This album was executive produced by the following benefactors: Michael Broyles, Shannon Cedar, Scott Gesser, Debbie and Hal Hoover, David Kruse Coste, Nicole Stansell, Julie Straughn, Linden Williams, and Brianna Winslow

Thank you all for still believing in me despite my extended disappearance from the music scene, as well as my abundant growing pains

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The Invisible Teal (aka Todd Hoover) Phoenix, Arizona

Creatively written and arranged art pop from the heart and loins.

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